One of the hardest questions a composer can ask themselves is...
âHow do I know if the music Iâm writing is actually any good?â
I hear this all the time from my bootcamp students.
They submit their music for feedback, but theyâre not sure if itâs any good at all.
Then they hear it played next to other submissions, and thatâs when the self-doubt comes in.
The thing is, defining âgoodâ music isnât easyâŚbecause itâs not universal.
Itâs so subjective and what resonates with one person might not with another!
But honestly, the goal isnât to get rid of that doubt. Thatâs A LOT of energy towards trying to get rid of something that never really goes away. Iâve had to accept that doubt is just a part of the process.
The key is learning how to manage it, grow from it, and keep moving forward!
So then how do you manage that doubt and figure out if your music is working? Here are 5 steps to help!
1. đŻ Define Success on Your Own Terms
âGood musicâ isnât one-size-fits-all.
What works perfectly in one context might fall flat in another. So before you start judging your work, take a moment to ask yourself:
What am I trying to do with this piece? Whatâs the context?
Is it for a client? A personal project? A portfolio? A strict 4-part harmony student exercise?
When youâre clear about the purpose and function of your music, youâll have a much better sense of what âsuccessâ actually looks like.
2. đ Use a Checklist for Quality Control
What frameworks do you have in place to help you stay on track, even if youâre doubting your music? Try asking yourself these questions:
Does it evoke the emotion or tell the story I intended?
Are the melody, harmony, and rhythm balanced and clear?
Are you using reference tracks to help guide your mix?
These kind of questions help you focus on what matters and keep you moving forward with intention.
If weâre our own harshest critics, then letâs get strategic about how we critique ourselves!
3. đŹ Get Feedback, but Filter It
Feedback can be incredibly valuableâif you know how to use it.
Not all opinions are equally useful, so itâs important to be intentional about who you ask:
Fellow composers usually can offer more technical insights about the music itself!
Non-musicians who donât know a single thing about music can still help you get a sense of the emotional impact.
Collaborators and clients who know the context of the project can also share more relevant, story-driven suggestions.
When you ask for feedback, be specific. Questions like, âDoes this section feel too repetitive?â are way more actionable than a general, âIs this good?â
Try filtering feedback this way so that you can focus on the most relevant improvements!
4. âŽď¸ Learn From Your Past Work
Every piece of music you write, whether you think itâs âgoodâ or not, is a step forwardâas long as you take the time to reflect on how youâd like to improve.
Revisit some older music!
It can be a great reminder of how far youâve come and it might even spark new ideas for your current projects.
Real growth comes from consistent refinement over time!
5. 𤨠Reframe Self-Doubt
Self-doubt is really frustrating to deal with BUT itâs a sign that you genuinely care about your music.
Instead of letting it paralyze you, how can you use it as a tool to improve? Ask yourself: What can I refine? Where can I grow?
Thatâs where having a system in place comes in! Something thatâs reliable and helps you stay on track, even when doubt makes you second-guess your music.
I personally use my Notion template I created as my system to help keep me accountable in my music creation process!
Your music doesnât have to be perfect to be âgood.â
Just remember that it all depends on the context of the music, be open to learning and adapting to relevant feedback, and give yourself some grace!
Youâll be surprised by how much youâll grow after consistent practice!

